Breaking Tradition (9784805320792)

A stunning survey of the avant-garde in Japanese ceramics before 1990, from renowned art historian Andreas Marks.

For many Japanese artists, the process of conceptualizing and producing artwork underwent fundamental change after the end of World War II in 1945. The long-standing emphasis on continuity, as was embedded for centuries in traditional media, formats, and hereditary lineages, was rejected by some in favor of a radical new approach, particularly within the field of ceramics. The emergence of an avant-garde and a formal pursuit of innovation can be traced across multiple media. One significant development was the shift by certain artists toward the creation of sculptural forms rather than functional objects.

In 1948, a group of five ceramic artists, including Yagi Kazuo (1918–1979), Yamada Hikaru (1923–2001), and Suzuki Osamu (1926–2001), founded Sodeisha—literally, the Crawling through Mud Association. The group remained active until 1998. While more than 60 artists were associated with Sodeisha over time, not all ceramic artists pursuing innovative sculptural work chose to join. Artists such as Kawamoto Goro (1919–1986) and Morino Taimei (born 1934) worked independently, developing distinct artistic paths.

Individualism remains a defining characteristic of contemporary Japanese ceramics. This volume examines the origins of that shift by presenting works created before 1990 by both independent artists and members of Sodeisha, tracing the early rupture with established ceramic traditions.


About the Author:
Dr. Andreas Marks is the Mary Griggs Burke Curator of Japanese and Korean Art at the Minneapolis Institute of Art. From 2008 to 2013 he was the director and chief curator of the Clark Center for Japanese Art and Culture in California. He has a Ph.D. from Leiden University and a master's degree from the University of Bonn. He has curated over 60 exhibitions at 38 institutions and is the author of 26 books. In 2018 and 2022 he received the top book award from the International Fine Print Dealers Association. In 2024 he was awarded a commendation by the Japanese Ministry of Foreign Affairs for his contributions to the promotion of Japanese culture.

Kida Takuya is professor for the History of Modern Craft and Design at Musashino Art University, Tokyo. He has a Ph.D. from Waseda University. From 1997 to 2017 he was a curator at the Crafts Gallery of The National Museum of Modern Art, Tokyo. Kida's research focus is on "Japanese-ness" in modern craft and design. Current projects include the history of Japanese modern craft and design from a trans-national perspective and prospects for Japanese handicraft in the 21st century.